Hail, Caesar!
What The Hail???
Official Website | Trailers & Mo
PG-13 | 106 min

You sit there watching the Coen Bros‘ Hail, Caesar!, and you think to yourself – this is cool – they love old Hollywood, I love old Hollywood, they’re totally doing right by old Hollywood, and as the movie snappily moves along, you start to realize that nothing is really going on, and you’ve laughed MAYBE twice during this comedy, and by the time that Joel & Ethan’s name appear on screen to kick off the end credits, you start to question what in the film is there to actually hail?

It seems like the Coen Bros invested more time on casting, or OVER-casting (Josh Brolin, George Clooney, Alden Ehrenreich, Ralph Fiennes, Jonah Hill, Scarlett Johansson, Frances McDormand, Tilda Swinton, Channing Tatum, Alison Pill, Christopher Lambert, Fred Melamed, Patrick Fischler, David Krumholtz, Fisher Stevens, Alex Karpovsky, Clancy Brown, Robert Picardo, Dolph Lundgren and Michael Gambon‘s voice), than they did trying to construct a fluid movie.  They have ideas – WAY too many of them - and they’d maybe work if they were short films, but together as one long film – it’s juss a bunch of loving valentines with no heart

What I don’t REALLY understand, like I also didn’t REALLY understand with Inside Llewyn Davis, is if this stuff is based on real–life stuff, then why do the Coen Bros bother to fictionalize it into fluff?  They would be better off actually making a movie about the real players, instead of trying to impress us with their impressions.  It’s a waste of their talents, and a waste of our time

I mean, they obviously put a lot of thought into the movie, but I juss didn’t think too much of it.  Less is more.  They needed less of most of it, and more Alden Ehrenreich.  He gets a hail + the sets + Josh Brolin’s tuff gruff + the double dip of Tilda Swinton

Trumbo captured a similar time and themes in Hollywood, but it lacked the professional polish the Coen Bros gave Caesar.  Maybe the Coen Bros should have made Trumbo, instead of trying to make a movie that makes you feel like a sad trombone after watching it

Hail YEAH!!: it’s been awhile since we highlighted some movie hotties.  so here’s two that need hailing!!!

Natasha Bassett

&

Emily Beecham

Verdictgo: Sum Merit But No Stinkin Badgers

Caesar is a mixed salad today at a theater near jews

and until next thyme the balcony is clothed…

Moonrise Kingdom
Merit Badger
Official Website | Trailers & Mo
PG-13 | 94 min

Moonrise Kingdom might juss be the mos Wes Andersonian Wes Anderson movie there ever was was.  Instead of adults acting like kids, MK has kids (LOTS OF THEM!) acting like kids!  Instead of modern folks wearing vintage threads, using out of date audiovisual equipment and reading crusty old looking books, it’s of the day folk (1965) wearing threads, using audiovisual equipment and reading new looking books that will all eventually become vintage!  It’s got characters with character names that have more character than this restaurant.  Names like Gadge, Lazy Eye, Nickleby, Skotak, Lionel, Roosevelt, Izod, and Redford give the Tenenbaums & Steve Zissou & Raleigh St Clair & et al a run for their precious money.  It even has a ski-capped Bob Balaban as an on-screen narrator.  CAN WE GET ANY MORE ANDERSONIAN THAN THAT!  Oh, and it’s got kids who have absent parent figures.  Oh, and Bill Murray and Jason Schwartzman are in it. Oh, and the film’s color looks like it was filmed with Instagram.  Wait, did Wes Anderson invent Instagram?

So is being the mos Wes Andersonian Wes Anderson movie there ever was was a great, good or bad thing?  To be perfectly honest, we have yet to make up our mind, and have already resigned ourselves to the fact that we probably need to see this flick again before delivering a real final verdict.  Well, if we want to see it again, that’s gotta mean this shiz is f#$king the biz-quick, yo!  Right?  Well, it’s definitely not the biz-quick, but it’s certainly not the limited Darjeeling Limited neither.  Moonrise Kingdom has a lot of heart, which is a wonderful quality for any movie to have (it’s what made MiB3 totally watchable!), but that heart didn’t somehow penetrate our own heart.  We’re not heartless (unless we’re talking Clooney or Apatow), but we juss couldn’t give our complete love and devotion to Moonrise Kingdom.  Maybe we’re still jaded with the Andersonian world, which started with Zissou, and kinda had a reprieve with his Fantastic Mr Fox, but Moonrise puts Anderson right back in Andersonland, and it feels like we’ve sorta been here, done that before

True, Wes (with writing help from Roman Coppola) has never given us a boy scout adventure, but he has taken us to an island before, treated us to amateur theater, and had kids write letters and read them aloud.  Since it’s been there/done that territory, gonna briefly explain the plot in Andersonian terms: A less annoying Max Fischer (Jared Gilman) has found his Rushmore, not in the Khaki Scouts (led by scoutmaster Edward Norton), but in the eyes of a girl that reeks of young Margot Tenenbaum (Kara Hayward).  Things stand in the way like un-understanding parents (Murray, Frances McDormand), but that won’t stop faux Max from carrying out his well laid out plan. (which would make Bottle Rocket‘s Dignan proud) of escaping with his beloved young Margot.  (this flick reminds us of the kids in love movie Melody).  Cuteness and zaniness ensues, and Bruce Willis, Harvey Keitel, and Tilda Swinton pop up, but don’t really stand out.  Then the movie gets Andersonianish and so on and so forth.  Roll credits

moral of the story – like we said, hard to make a final judgement without seeing it a 2nd time, but that has gotta be a somewhat good sign, since we didn’t even want to bother seeing Zissou or Darjeeling a second time.  but why didn’t it hit us on the first time?   have we had enuff of Andersonian stuffs? well, we could never get enuff of his 2nd to none production design, but how many times can we sit thru the same basic movie but with different vintage threads, audiovisual equipment and old crusty books?  dunno, probably like 5 more times, AND THEN THAT’S IT ANDERSON!!!

Quiet Riot: this is where that was

you love movies, so why aren’t you following Quiet On The Sets???

Verdictgo: Jeepers Worth A Peepers?  Sum Merit But No Stinkin Badgers?

Moonrise rises today in NY/LA only, and elsewhere elsewhen

and until next thyme the balcony is clothed…

We Need To Talk About Kevin
Birth (Out of) Conrtrol
Official Website | Trailers & Mo
R | 112 min

We do need to talk about We Need To Talk About Kevin cause we juss need to talk about it.  First you MUSS MUSS MUSS see this, then we can talk about how Tilda Swinton might be the single greatest half-amphibian-half-human working in movies, and how John C Reilly is the most bestest absent-minded lovable doof working in movies, and how we’d be scared to f$%king death to ever run into Ezra Miller, Jasper Newell or Rock Duer on the street, cause all 3 of them played Kevin at different ages, and all 3 of em make us never want to have kids, let alone touch a bow and arrow ever again

Lynne Ramsay‘s take on Lionel Shriver‘s 2003 novel of the same name is as beautiful as it is frightening, as empty as it is loving, and as unforgettable as Gus van Sant’s Elephant was kinda forgettable, sorta.  What else do we need to talk about?  Bobbed?  What about bobbed?

Verdictgo: Breast In Show

Kevin will get Talked about in NY this Friday and elsewhere elsewhen

and until next thyme the balcony is clothed…