Tag Archives: Jeepers Worth A Peepers

Manes Best Friend

The Rider
Cowboy Up, And Down, But Not Out
Official Site | Trailers & Mo

R | 105 min

Native American… cowboys???  They exist!  And one in particular’s real life story has been turned into an incredible pure American feature film starring the rodeo driver (his family and friends) himself (and themselves)!  Chloé Zhao‘s The Rider is to be seen, and to be savored!   In competition, Brady Jandreau had a horse stomp on his head and almost fatally crush his skull!!!  Brady (who looks like a leaner, rougher Josh Hartnett) was lucky to be alive, but he had to give up the only life he’s known and loved – rodeo horse riding, cause one more false move could spell the end of his days.  But this cowboy would not go gently into that badnight.  Sure, his best friend Lane Scott suffered a worse fate (in the movie AND in real life) – immobilized and incapable of speech – but Brady just wants to get back on a horse – or get as close as he can, like training them.  The ‘will he or won’t’ he tension, trioed with family financial hardships, and his touching relationship with his real-life and screen-life sister with Asperger’s syndrome – Lily, is a triple threat of cinematic awesomeness.  Saddle up folks, this one is for home AND the range

Verdictgo: Breast In Show

Isle of Dogs
Scruffy Looking Nerd Hoarders
Official Site | Trailers & Mo

PG-13 | 105 min

Forget human beings Wes, cause your cutesy minutiae works best when you’re playing with actual toys.  Personally, I don’t think you’ve hit a human home run since Tenenbaums, but as Fantastic Mr Fox and now Isle of Dogs shows, you can be SO freaking creative and provide SO much fantastical fun when utilizing stop-motion animation.  I am not usually a fan of stop-motion animation, or even dogs, or even Greta Gerwig, but you nailed it (minus the Greta Gerwig part)

Verdictgo: Jeepers Mos Def Worth A Peepers

The Rider saddles up in limited release, while Dogs remains in da house at a theater near jews AND white nationalists!

and until next thyme the balcony is clothed…

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Can’t Quit Yer Stalin

The Death of Stalin
Gimme Some Pravda
Official Site | Trailers & Mo

R | 107 min

A movie about Stalin’s death and the power struggle to succeed him that immediately followed, in the quick-witted, biting hands of Armando Iannucci (Veep, In the Loop), with a cast of such funny bone ribbers like Steve BuscemiJeffrey Tambor and Michael Palin (nice name there buddy!)???  Is this going to be a recipe for ironic iron and sickle silliness or what??????????????  It’s more like ‘or what’, but that ends up being not such a bad thing.  It actually ends up being a good thing – a more of an eye-opening historical film about real stuff that most Americans know zero about (I knew like -1 about all of it), than a clever and hilarious funny one that I was expecting

Is it OK to expect to laugh your head off when that’s what you’re expecting from cleverman Armando Iannucci?  I think it is.  Is it OK to wonder why the movie wasn’t all that funny (it has its moments, but not as many as one would think… especially what I was thinking), but it really isn’t all that that funny?  And yet everyone and their mother think it’s the funniest thing since funny sliced bread!

And how can you take a movie seriously, which isn’t probably trying to be serious, but actually is serious and is tackling some ultra-serious matters, when a movie bout Russians is spoken in mostly British accents?  Not a big deal, but it’s kind of distracting

These sound like major gripes I’m griping about, but I think with a little more actual laughs, and some actual Russian accents or attempts at them (c’mon, you don’t want Buscemi saying ‘я морж’??) – this could be a bona fide classic, instead of a nice history lesson with some funny guys in it being restrained from being funny

Lesson learned?  History – yes, more laughs – next time, please!

Verdictgo: Jeepers Worth A Peepers

Stalin LIVES in limited release

and until next thyme the balcony is clothed…

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Sacramento Jam

Lady Bird
Petty In Pink
Official Site | Trailers & Mo

R | 94 min

Greta Gerwig‘s directorial debut Lady Bird was… just OK

Yes, I saw it very post-hype, but when the movie got going, I really bought into it.  I was rooting for this to be a modern Pretty In Pink – a high school misfit from the wrong side of the tracks, trying her damnedest to fit in, and grab a hot guy.  This movie was definitely trying to be its own Pretty In Pink, and it ended up being just pretty (a nice postcard from Sacramento), and pretty much not all that much to write home about

I liked Saoirse Ronan‘s performance as the lead, but the movie felt like a bunch of high school memories strung together with some forced emotional strain between daughter and mother (Laurie Metcalf) that never really connected its dots or come to a gripping conclusion it was hoping to achieve

Still, if you ever wanted to know what a Greta Gerwig character in a Greta Gerwig movie would be like, like how there’s always a Woody Allen character in every Woody Allen movie, then Lady Bird is your gateway to a wig of Gerwig,  To me, it’s a movie I’ve already mainly forgotten about, although I would be open to visiting Sacramento 

Also, the movie could have used even more Beanie Feldstein, and/or Beanie Wells

Verdictgo: very low ened Jeepers Worth A Peepers

Lady Bird flaps in lil wings at a theater near jews and white nationalists

and until next thyme the balcony is clothed…

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Playing Against Typeset

The Post
All The Old News That’s Fit To Reprint
Official Site | Trailers & Mo

PG-13 | 115 min

The President is a liar filled with lies!  Newspapers need to speak the truth but are trying to be silenced by the President!  Women are ready to step up and play with the big boys!  The country is under much duress and stress cause of all of this stuff!  Is this 2017????  No, it’s 1971!!!  OMG – HOW TIMELY!!!  OMG – SOMETHINGS NEVER CHANGE!!!  HISTORY REPEATS ITSELF!!!  FAKE NEWS!!  REAL NEWS!!!!!!

Yeah, so, er, um, yeah, so Señor Spielbergo and Tom Hanks and Meryl Streep do their patriotic flaming liberal duty to stick it to today’s man by re-sticking to yesterday’s man in making a lesser All The President’s Men in The Post!  This movie wasn’t HASTE-ly made, and there’s a lot of love and energy and great acting (and mustard brown color) going on, and IT IS ALL SO IMPORTANT, but it’s ultimately a movie about whether a newspaper owner and editor want to green light or red light publishing a story.  That’s it!  That’s the whole movie!  Should we publish this and let the people know the truth???!!!  Or do we play it cool and not publish and therefore not get punished???  WHAT TO DO???  WHAT TO DO???

It’s kinda much ado and to do about nothing.  Look, I agree it’s all IMPORTANT stuff, and I did enjoy watching this movie, but after it ended, I was like, that’s it?  They published a story and that was the entire movie???  Oh, so it’s more about that.  It’s about how Kay Graham came into her own, being the Washington Post‘s owner, and how editor Ben Bradlee always fought the good fight!  Good for them, and for us!  No, seriously!  I grew up on The Washington Post, and it remains my paper!  I LOVE THEM!

But I dunno.  I’m tossed.  It’s a story that needed to be told, but there’s not much storytelling to tell.  It feels like easy material kinda beneath the heavyweight skillsets of Spielbergo and Hanks and Streep.  They could have made the same darn good movie with Brett Ratner, Seth Rogen and Katherine Heigl and it would still be important!

Verdictgo: I mean, it’s still a good movie, so Jeepers Worth A Peepers

The Post publishes at a theater near jews and white nationalists

and until next thyme the balcony is clothed…

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Poker In The Front

Molly’s Game
Deck Stacked Against Her
Official Site | Trailers & Mo

R | 140 min

Aaron Sorkin pulls out all the stops in his slick and fun directorial debut – Molly’s Game, and while there is much to enjoy in the true story of poker pitboss Molly Bloom’s rise and fall, the end result doesn’t come close cinematically to the other films he’s lent his penmanship to – Steve Jobs, Moneyball and The Social Network, but that’s OK, cause it’s hard to hit home runs in both the writing AND directing categories, and especially on one’s first time out behind the lens, and it’s also OK, cause the movie is really good!

Molly Bloom (a confident and chesty Jessica Chastain) is all about rising and falling.  Once on the cusp of skiing at the Winter Olympics, she saw her lifelong medaling dreams dashed in a bad trial run downhill, and so she picked herself up, moved away from the snow to Los Angeles and started over again.  Found work working for a fast-paced prick, who happened to run an underground poker game with Hollywood stars and rich hot shots, and found her new calling running those games.  A big risk for both players and Molly, but the money was just too good to pass up on.  Things go good, then things go bad, but Molly always seems to find her way out on top again, and again… until the FBI comes in to say GAME OVER.  But that’s not where the movie ends – it’s actually the starting point, where Molly tries to fight back at the system with a lawyer (Idris Elba) who sees the good in her, and the evil in the world.  DAMN YOU EVIL WORLD WITH YOUR LAWS AND STUFF!!

That’s nice and all, but it’s actually all the meetings with her lawyer, and courtroom non-drama that drags the film down a bit from being something fantastic.  While the chips are stacked and the cards are dealt, the movie flies, but when it gets bogged down in legal briefs, it seems far from being brief, as it lingers on a little TOO much.  Still, Molly and Sorkin have a winning hand and a winning movie, and Kevin Costner works magic in limited screentime, and you know if there’s a movie about competition and Kevin Costner’s in it – it’s a winner!

VerdictgoJeepers Worth A Peepers

Game on Xmas day at a theater near jews and white nationalists

and until next thyme the balcony is clothed…

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