Iron Man
Art Favreau
Trailers & Mo
The last two summers began with movies that were more lackluster than blockbuster. 2006 brought us the overbloated and unnecessary Mission Impossible III (there shouldn’t have been a Mission Impossible I in the first place), and in 2007, the giant mess that was Spidey 3 [TWS review] got tangled up in more webs than the world wide has urls. Well set yer mind at ease cause Iron Man kicks off this summer’s crop of big budget fiascos with a mighty bang (for your buck) and not a wimpy (but we’d still gladly pay you Tuesday for a hamburger today). It’s easily the mos enjoyable superhero extravaganza released since Spidey 2, and would you expect anything less from a flick that stars an Oscar winner (Gwyneth Paltrow), 3 other Academy Award nominees (Robert Downey Jr, Terence Howard, and Jeffery Lebowski Bridges), had script doctoring by the dudes who wrote the screenplay for Children of Men (in retrospect, we probably should have picked it as the bestest flick of 2006), is executively produced by Ralphie and features the dopest Stan Lee cameo to date? We thought snot
In a few short years, Jon Favreau has transformed himself from a (sorta) lovable loser actor into a solid director, whose specialty seems to be blending the worlds of real and fantasy. Elf and Zathura (one of the mos funnestistest titles to say out loud) were juss baby steps leading up to this confessed fanboy’s first foray into the comic book genre. He’s right at home here, and to no real sirprize, so is his star Robert Downey Jr, having oodles of fun playing a playboy zillionaire turned iron giant. We all of know RDJr’s past issues, but with solid work in 13 films since 2003 (Zodiac being the tops, obviously) he’s quickly gone from less than zero to everyone’s hero. He may seem like an unconventional choice for a film like this, but it was a choice that certainly paid off, as his performance, in our refined opinions, ranks right up there with Christopher Reeve and Adam West as best screen superheros mt EVERest. Iron Man, we give you mad RoboProps, and can’t wait to see a sequel
Iron Butterflies: the theme from the ’66 cartoon, where Tony Stark lands on Forbes‘ Fictional 15 richest list, and Ghostface ‘Ironman/Tony Stark’ Killah rumored cameo + Samuel L and Hillary Swank’s are MIA, or are they?
John Grisham’s Jizzum (aka Verdict): Breast In Show
Fugitive Pieces
Holocaust Deficiency
Trailers & Mo
If you see one Holocaust themed film this year, you may have to wait a little longer cause this isn’t the one the to see (and we weren’t entirely sold on The Counterfeiters either [TWS review]). There’s no concentration camps to be found in this lyrical tale of an orphaned Polish kid (played later in life by Thomas Jefferson), who later finds surrogate love from a Greek geologist (Boris The Blade), but has trouble allowing himself to love others after he dies (although having sex with Rosamund Pike probably isn’t the wurstest thing to happen to a man w/o love to give). This film is unquestionable beautiful, but like its lead’s emotions, it feels kinda empty and lacks, for lack of a better word, concentration. It meanders back and forth from the past to the present, all leading up to a point where he’s finally able to make peace with his demons and open his heart to another (Ayelet Zurer, aka, Eric Bana’s hot Israeli wife in Munich). If you can get to that point and you’re still awake, we congratulate you, cause we were almost asleep in a pile of Reese’s Pieces
Exercising The Demons: Zurer can next be seen in da Da Vinci Code prequel Angels & Demons, opposite Tom Hanks (hopefully not with that hair) and Ewan McGregor
John Grisham’s Jizzum (aka Verdict): Sum Merit But No Stinkin Badges
21
Pretty Busted
Trailers & Mo
Ben Mezrich’s book Bringing Down The House about real-life MIT students, who go from totally geek to totally chic, by counting cards and big bills in Vega$ is well worth reading. When it came time to turn it into a film, unfortunately, that title had already been used for a Steve Martin-Queen Latifah joint, so they had to change the name, and even more unfortunately, for Hollywood storytelling purposes, they changed much of what made the book so compelling. Our Asian protagonist has been replaced by an Anglo-Saxon (albeit a damn dreamy JOable one) one, all the specific rules that protected the team from getting caught have sorta been tossed to the side, and instead of having them travel to casinos across the country, the film only focuses on Vegas, and in particular to the Planet Hollywood Casino (we had no idea Planet Hollywood was still in bidness, let alone ran a gaming facility). Despite what was omitted, the film is entertaining, but it’s what was added to the story that doesn’t boat our
float (Laurence Fishburne’s disgruntled old-school eye in the sky security manager who beats people up, yet the book makes endless points of why casinos no longer bully card counters with fists + our Anglo-Saxon’s lameazoid schoolmates who know nothing of his double life and eat up way too much screentime, hispecially Josh Gad, who hands in the wurstestest movie geek/sidekick performance mt EVERest and FUJIest)
21 marks the third not-so fab screen pairing of Kevin Spacey and Kate BOOOsworth. The first two were the now forgettable Superman Returns [TWS review] and a film we dubbed ‘the WURST biopic AND movie directed by an actor EVER!‘, Beyond The Sea/Watchable [TWS review]. We’re praying to Jesus AND Moses that there isn’t a fourth pairing
Swimming With Card Sharks: read the book, skip the movie, and juss enjoy the opening of the classic game show Card Sharks [vid|empee3]
John Grisham’s Jizzum (aka Verdict): Sum Merit But No Stinkin Badges
Iron and Pieces open Friday, while 21 continues to play in a theater near Jews
until next thyme the balcony is clothed…
19. Jul, 2017 
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